The premiere of the new program of choreographic miniatures "Postscript" combines new productions and miniatures from the theater's repertoire, building them into a sequence where none is a continuation of the other and at the same time they do not form a linear plot. However, this is precisely where the tension of the evening is born. Each part seems to shift the internal support, changes the optics, and the next number is already perceived differently, with a new sensitivity.

The program includes new miniatures:
“The Shell” to music by Jean-Philippe Rameau. 
A choreographic miniature based on virtuoso choreography and complex interaction between performers. Devoid of a linear plot, “The Shell” unfolds through images, rhythm, and precise choreographic form, leaving the viewer room for individual interpretation.

"Moonlight Sonata" to the music of Ludwig van Beethoven. 
Its composition is built as a trio for two men and one woman. The interaction of the three figures on stage reveals the tension of divergent desires, inner impulses and choices.

And finally, the main event of the evening is the premiere of the mini-ballet "I Love You" to the music of Peteris Vasks. 
The work is based, on the one hand, on the famous Musica dolorosa, and on the other hand, on the libretto of Radu Poklitaru. This is a performance-reflection on how loved ones who have left us do not disappear from our everyday lives. "I Love You" speaks of love not as a beautiful confession, but as a force that continues to act even after separation. And it poses the main question without pathos, almost in a whisper: how mortal can love itself be?

In addition to new productions, the program included miniatures from the theater's repertoire: "These People" and "Oh, I'm an Unhappy Chumak" directed by Kateryna Kurman, as well as "1+1+1" and "Let's Dance to Pergolesi" directed by Radu Poklitaru.